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Mike McKinnon

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DNQ - So Sorry You Nearly Died, Mr. Webber

At the risk of coming across all Negative Nancy, erm, Negative Norm I mean, I feel like we Austinites should be preparing some sort of apology, or better yet

and

proactively a Plan of Action, to assist visitors who wind up lost, shrieking with terror, at the inanity of our road naming "system", the ineptitude of most drivers in the city and I35 in general. 

I'm not sure South by Southwest is a particularly apt control for the

How Bad Could It Be?

experiment, simply because there are so many people in the city, walking, riding, driving, ambling, crashing, and falling on our streets that it really bears no resemblance to what things are normally like here in fair Austin. If you aren't "doing" SXSW with total commitment, and willing to experience and accept any circumstance that might befall you

Courtesy of www.velocci.com

(a friend of mine was run over by a train of Segways, which he finds more of a point of pride, something to tell the grandkids, than an annoyance), then you probably just stay at home and pretend the downtown area has been invaded by

Captain Trips

or

Mongol invaders

or

zombies

until it passes like the mist from Stephen King's mind. But what's going to happen when the comparatively small but nonetheless horde-like throngs of people come for the first ever United States Grand Prix in Austin Texas, in Wheneverber of 2012?

We need an ambassador to explain the clusterfrak that is Austin traffic and assuage the anguish, because if anyone so much as leaves their hotel to wander about the city, I'm afraid we'll never see them again. Could you imagine, as a ridiculous yet terrifying example, if

Mark Webber

decides to take his rented Chrysler Sebring and head from the Four Seasons up to

The Draught House

for a pint? The scandal! All it takes is

one car trip

to MoPac, and they might as well have entered the

Parisian catacombs

without a light. MoPac/Loop 1? And if you're south coming from the airport and need to get onto MoPac, especially going south, how do you begin to explain the route without having them end up in

Albuquerque

? Loop 360/Capital of Texas Highway? Highway 183/Research Boulevard? Or My God! What if they wander up to 290/Koenig Lane/Northland Drive/2222??? The

naming alone

is an Abbott and Costello bit. 

Then there's the elephant in the room. I'm looking at you, Austin drivers. Glass houses and black kettles and everything, but come on. This is just getting ridiculous. My wife and I have a game, more of a contest really, called How Many Times Were You Almost Killed on the Way Home Today? It's a lot of fun, for the whole family even! Points are based on the agreed upon ineptitude of the driver who almost offs you (wandering across lanes, reaching for a dropped cell phone, sleeping are obvious and oft cited circumstances), compounded by the speed involved (double points for combined speed as a result of near head-on collisions) and the number of other vehicles, property and/or pedestrians also nearly snuffed out in the blink of an eye. You do lose points, however, if the nearly-an-explosion was the result of someone deciding within the last 100 feet that, "Oh, THERE'S my exit!" and cutting across four lanes of traffic at a near 90-degree angle while doing 70+ MPH. Because really, you'd only end up with scores more like arena football, and that just gets boring.

Griping about traffic on an F1 blog? Trite and useless, but in terms of bridging that gap between fans and the city? We need a plan NOW.

Austin traffic sucks

Courtesy of www.capmac.org

OK, so did you know there's a race this weekend? And suddenly my incessant,

"Don't count out Button this year

" diatribes don't seem so fanboyish, now do they? This season is potentially low hanging fruit for a driver like Button. Yes, even my grandma knows he's renowned for his smooth driving, but in a year when it's decided

tires specifically designed to suck

should be used, he's poised to capitalize on the situation better than most other drivers, save

maybe Webber

. Vettel, Hamilton and Alonso, all superior competitors to Button, are also far more aggressive. I've seen those guys eat tires like Homer eats donuts. I (and everyone else, honestly) foresee the pits being a lot busier, at least until they can adapt, and Button staying out longer while turning in consistent lap times. Toss in the moveable rear wing and KERS, and slower traffic becomes less of an issue than it has in the past. He could really create some gaps out there. The final practice session in Australia seems to also bear out the fact McLaren didn't know how good their cars were until they decided to stop trying to be too clever for their own good and slap a more conventional exhaust on them. Lo and behold. Never count out Whitmarsh.

Also never count out Ross Brawn. The Merc team's Rosberg and Schumacher didn't shred in practice, but they were both fast and probably good enough for Q3, with a bit of luck. Because the other half of the stuff that isn't as exciting as the actual racing drama is that pit and race strategy will play a much larger role in outcomes than in the past. Between tire and wing and KERS management,

drivers are going to have a lot to do

in addition to driving perfect lines and not getting killed. Smart team bosses, and Brawn is truly the

Ozymandias

of F1, will be calling those shots from on high. Same as they've always done really, but it just seems the more complicated the cars get and the more aspects of the race the drivers are expected to control, the teams that will do the best are the teams with a General Patton in control, who understands every individual action the entire team performs, from the pit member who holds the fresh tires to the driver in the cockpit, and can visualize the entire clockwork mechanism in motion. This year is going to be a chess match, and probably as interesting from a management perspective as it will undoubtedly be on the circuit. I think it'll be a surprisingly good year for Mercedes, but I'm not going to say better for Schumacher or Rosberg.  

Yet

.

Strap in. Formula 1 2011, here we go.

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DNQ - Senna

Ayrton Senna could have been a god. Not necessarily if not for the new documentary about his racing career, but if not for technology… at all. Let me rephrase - in a world where television, photography or print did not exist for some inexplicable reason, but race cars did, Ayrton Senna would have been a god. Here's the proof, thanks to director Asif Kapadia and his documentary Senna.

So first things first - the obligatory "you don't have to be a fan of Senna or even a fan of Formula 1 or even a fan of racing or even a fan of sports at all to enjoy this film" disclaimer. Maybe in the past you've been coerced by this sort of lead-on by a friend or significant other, only to suffer and moan. I asked my wife while leaving the Paramount Theater if she enjoyed the movie. My wonderful, accommodating, supportive wife, who has absolutely no interest in racing whatsoever (strike whatsoever - I think she might have an unhealthy and/or impure appreciation of Mark Webber and Jenson Button), responded, "How could you not?" From across the theater, my friend Eric, whose interest in sports essentially begins and ends with the University of Arkansas Razorbacks, hallowed be thy name, flashed two thumbs up (I'm not sure if this wasn't in honor of Roger Ebert, also in the audience), then pantomimed tears falling. Then two more thumbs up, so as not to end his review on an unmanly note.

If you want to read a professional review of the film, I'm not going to discourage you one bit. I'll try to give you a bit more than, "It was good," but ultimately my appreciation of Senna derives from the perspective of how it immortalizes Ayrton Senna, a god among men, as a human being. If you're disinclined to be all gung-ho about a documentary, I have some encouragement. Kapadia foregoes the typical talking head, television style interview with someone who knew Senna recounting their experiences and memories. Instead he lets the characters, primarily nemesis Alain Prost, McLaren team boss Ron Dennis and of course, Senna himself, tell the story, more or less chronologically, and in the moment. With hundreds of hours of footage available, from interview to candid behind the scenes to in-car, supplemented by more recent interviews specifically for the film, the narrative of Senna's rise to the pinnacle of the racing world is already extensively documented and well known, at least in a mythological sense. The drive and focus of that narrative then is a masterstroke of tireless research and judicious editing. Senna is undeniably a good film, full stop.

Senna, as the protagonist in the drama, develops as thoroughly as any of the best films you could name. One of the most controversial moments of his career, the infamous shunt with Alain Prost (our lead antagonist) at the 1990 Japanese Grand Prix at Suzuka, is suddenly recontextualized from its usual portrayal, with the background to color the incident (accurately, you could argue) as a righteous middle finger to the sport's governing body, and particularly its then demagogue of a master, Jean-Marie Balestre. In many circles, purists will cluck and bemoan the unsporting intent of Senna's defiance by charging for a gap and holding a line that would likely, and in fact did, retire both drivers from the race. The crash brought cheers from the audience in the theater. Senna went on to clinch the championship. Unsportsmanlike or the very illustration of competitive purity? There's room to argue but the context underlying the whole ordeal is undeniable. 

My favorite sequence, and the one that honestly caused something to get in my eye, was the 1991 Brazil Grand Prix. Piloting a broken car, but having never won in his home country, Senna drove an impossible drive to cling to his victory. If the story ended here, it would be Roy Hobbs slamming the ball into the lights. Senna winning in Brazil exemplifies my theory that athletic competition can be art, or at least artistic. Senna's drive was a pure expression of the human spirit, and it is beautiful to behold. Seriously, truthfully beautiful. If you could package this segment of the film, a model of Micelangelo's David and maybe a recording of  Mingus Ah Um, and send it all into space for aliens to understand what humanity is and is capable of, you wouldn't be doing the universe a disservice.  Watching the footage of him on the winners' podium in sheer agony, try and fail, then try again to hoist his trophy over his head, and knowing that he wasn't doing so out of a need to satisfy his ego, but to salute his country and its citizens - it's moving. Best scene in the film? Discuss.

But this is all a bit like the Titanic, isn't it? Most racing fans know what happened to Ayrton Senna on May 1, 1994. We know every race, every victory, brings us closer to The Monster at the End of This Book. Raise your hand if you didn't know racing cars was a dangerous profession. Few serious accidents are shown in the film. Only the outcome of Martin Donnelly's career ending but amazingly not fatal 1990 crash is shown, his broken body lying motionless on the circuit. It's a nauseatingly frank shot. Rubens Barrichello's airborne shunt during practice at Imola in '94 that ranks in the majority of morbid but somehow requite top 10 crashes of all time lists. Roland Ratzenberger's fatal crash at qualifying for the same race. And finally Senna. It's jarring, even when you know it's coming.

Throughout the film are shots of Niki Lauda. Although he's never named either in narration or by subtitle, the burn scarred face of the three-time world champion, and still competitive driver at the time, is a frequent, looming reminder of the supposedly bygone age when the life expectancy of F1 drivers was not the job's mot vital selling point. But in the "modern" era, no one expected the greatest driver possibly in the history of the sport could be snuffed with so little effort on the part of the universe. To keep things in  cinematic frame of reference, it's like Leonardo DiCaprio's character in The Departed taking one in the brain the second the elevator doors open. Except this is real life. It was tragic and will always be tragic, like the last man to die in the battle before a truce is called, but that doesn't make it senseless. If the Spirit of Racing Future floated down to Senna and handed him a signed declaration of his impending death, he'd likely have strapped into his wobbly Williams and tempted the Almighty's resolve. Because that loving, thankful, but nonetheless defiant middle finger to the institution he loved so much, whether we're talking racing or God, defined him as a human.

There's more to be said about Senna the citizen. The man who fought for Brazil. The man who established an educational foundation for poverty stricken children. The man who never denied or belittled his faith or his family, even at the height of his fame. This film isn't about those areas of his life, really. It's about Senna the driver, which encapsulated all of those qualities, virtues and vices. Go see it at 7:30 Thursday night at the Paramount.

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DNQ - So why is it Americans hate F1, again?

For my first entry, I decided to just go for broke and write a treatise on the state of Formula 1 fandom in America. It's long, covers a number of subjects and is probably stiflingly pedantic. Oh, it's so long and rambling you say. Blogs are supposed to be short, quippy and go directly. To. The. Point. In the future I'll be brief and include lots of Youtube links. Scout's honor. So let's just get out of the way. Imagine... imagine this being read to you in the voice of James May. There. Isn't that better? On to the show.

And here we find ourselves, about a month away from the 2011 Formula 1 season. I always wonder at the beginning of a season if and how I might coerce, entrap or otherwise bludgeon a new friend or family member into joining the Formula 1 party crew. Which is basically me. Neither a party or a crew. I digress. Last season was arguably one of the most brutally contested in recent memory. Down to the final race. Epic and exciting stuff! America exerted a collective yawn, scratched and rolled over. 

As a relative latecomer to the F1 party thanks to ignorance and lack of access, but eventually by way of enthusiasm for things that make a lot of noise and go fast, I think the ambivalence it has faced in America over the past few decades is honestly not easily explained away. To set the tone here, we should probably admit our context of the sport is skewed, thanks to our equally skewed perspective of Europeans, arguably the most religious followers of the sport. There's generally a perception that every European lives and breathes the exhaust fumes of 18,000 RPM V8s. Having lived in England, I think I have some degree authority to say that ain't quite the truth. Per capita there are undoubtedly more F1 fans in Europe than the States, but the level of antipathy or downright loathing is proportionately about the same as we see directed toward NASCAR here, or really any other popular sport. Even in Italy, outside of Monza, Rome and Maranello, you'll have a fun time with the GPS finding any sort of F1 memorabilia retailer. Maybe my limited experience is too limited or maybe I'm just flat out wrong, but it seems around the world, Formula 1 is just a segment of a sporting culture as dense and diverse as we know here in the States. It's not the be all, end all of sporting events. That would be soccer… I mean football. Still, F1 thrives everywhere but here. And that's interesting.

Racing is racing in the same way a ball game is a ball game. That's to say, the similarities often end right there at the name of the game. Each series has its own (daunting) learning curve, history, personalities and idiosyncrasies. That doesn't stop half the world from figuring out how the hell cricket is played. I do think F1 is set apart from the majority of sports, however, simply because at least at this point in its history, it's still more about the competition and the tools of competition than the associated, often fabricated drama. Not that there isn't (Webber vs Vettel comes to mind), just to a lesser degree. There still seems to be some of that gentlemanly, brotherhood of warriors vibe hanging around the paddock. Or maybe Bernie simply doesn't want to include that element into the product package? And he holds those reins with a Shaolin monk's deathgrip.  

I personally know NASCAR fans who don't actually watch races. I don't think they really care about the driving so much as the personalities of the drivers, their stories, their conflicts. Again, no disrespect, but they wear the gear and live the lifestyle, and maybe tune in to the post-race recap or any number of programs that offer analysis of the races after the fact... but that more significantly run down the minutiae of the drivers' lives and whatever conflicts are simmering in the conflict cauldron. If you were bored, I have no doubt you could distill an entire NASCAR season into a daily soap opera. Let's not even acknowledge NASCAR romance book clubs, other than to whisper of their existence and tremble with fear. Don't misunderstand this perspective as necessarily disparaging of NASCAR. It's true of any old sporting or entertainment product.  Obviously we don't see F1 in that light simply because it's not high visibility here. Visible at all, really. And again, while I'm sure there's some really interesting stuff happening off the grid and behind the scenes, it's just not promoted as an element of the overall entertainment package. Maybe that's due to the simple fact that Formula 1 by its nature appeals more to the hardcore racing fan, the techie, the gearhead, the Stig wannabe, and less to the drama junkie? OK, there's that Max Mosley thing. You can have Max Mosley. Backing away from that argument... and moving on. 

I don't think it's even that complicated, though. The politics and the drama and the legal issues and the rabble rabble rabble of the worshipping and/or loathing masses. On these shores, Formula 1 is probably quite a lot like soccer in the eyes of the public at large. As the staid old argument goes, Americans just can't relate at a cultural level. No American drivers. No American teams. No American cars. No American races. Elitist Europeans, bah and humbug to you. The reason this site exists and we're here reading and writing about F1 is in response to the elimination of one of those so-called stumbling blocks.  Provided the Mayans and George Lucas are wrong, Austin, Texas will be home to the American Grand Prix starting 2012. So goes the proximity argument. The other relatability issues are a bit trickier though, or at least slightly more intricate sociological arguments. For example, the chances of a factory Ford, Chrysler or GM team is as remote a possibility as Porsche entering NASCAR, and the ironically named Scott Speed was our last contender in the cockpit. The argument... Are we really that nationalistic? Yeah, probably.

Outside the States, the game we call football is called American football, and aside from the odd crowd of university-aged Yankophiles who take over the city park every Sunday afternoon with their buckets of KFC and black-market Raiders sweatshirts, it's not held in especially high esteem. Too slow, too boring, too many breaks for ads, and not as reliant on skill, technique and finesse as their homegrown version. Back in our quadrant of the planet, American audiences tend to think soccer, aka football, is too low-scoring, too boring and takes itself far too seriously. More importantly, we tend to believe the sport, its players and its fans look down on our culture and mock us for enjoying our "inferior" version of the game. That's the biggie. We don't like being told what to think, what to like or how to be. Collectively, that's probably how the majority of Americans understands the European perspective of our culture, including the supposed superiority of F1 to NASCAR or drag racing. There's a certain undeniable snoot factor that spoils many potential fans before they even have a chance to experience a race. The battle lines are drawn as soon as an F1 fans begins an argument with the words, "F1 is the best racing on the planet and NASCAR is a joke, I win, end of argument... now go home to your sister-wife and your mother-daughter, hillbilly troll."

For at least the first half of its existence, at least until NASCAR learned how to market itself, Formula 1 wasn't the exclusive domain of European playboys and Middle Eastern royalty (pardon the gross generalization). American Dan Gurney and his Eagle cars are legendary. The guy was a phenomenal and frequently winning driver who was, and still is, a hero to American racing fans. No American drivers? Tell that to the authoritative source of all Internet wisdom. So it's not as though there isn't some entry to the sport, at least from a proud historical perspective. Aspirational American F1 drivers are not unicorns. At some point, maybe sooner than later thanks to our new dedicated circuit, we will see another American world champ. And let's be honest - even if you bleed Ford Blue, if you don't hold respect for Ferrari, Lotus (in name, at least), Mercedes and McLaren as racing machines, there's a problem in your brain. That's not an opinion. These aren't esoteric one-off shops like Panoz or even Dallara (who make the Indycar chassis). These are the progenitors of the modern racing car and the modern sports car. Point being, fast cars going being driven quickly is relatable to pretty much anyone who calls themselves even a casual racing fan, regardless of the badge on the machine. 

After all those words words words, what is the barrier, the problem, with F1 in the United States? Even the most ardent F1 fan is going to point an angry finger at the intrusive regulations that have sapped a lot of the energy and excitement, as well as danger, from the sport. The march toward Health and Safety Compliance began with its heart in the right place, led in the '70s by World Champion Jackie Stewart, who had essentially tired of seeing his friends die or suffer life-altering accidents. The Great (some might say perfect) Ayrton Senna was the last driver to die on the track, in 1994. The argument is whether or not increased safety means increased blaah. I'll admit, for the past many years, epic battles for position and balls out overtaking, aside from the possibly insane Kobayashi, God bless him, are rare. You're more likely to see races won through chess-like pit tactics than wheel to wheel competition. It happens, but compared to the rubbin' is racin' dictum of NASCAR, I can see how that would be a turn off to folks who expect crashes to be the highlight of a race. More than the drama surrounding drivers' and teams' conflicts, audiences want to see four cars abreast going into a corner knowing full well at least two of them have a better than average chance of exploding. That's good TV, and you could even argue good racing. Not that there's anything wrong with that. Need an analogy? Citizen Kane. Die Hard. Both perfect. 

So I haven't answered any questions here, just thought out loud about how we fans of F1 can help others become fans, or at least accept the sport as either entertainment or the positive implications for the Central Texas region. Last season, the global viewing audience for F1 actually grew, from 520 to 527 million. In America… well, how many people have Speed Channel and a DVR? Deep sigh.

Two allegorical anecdotes for you. I was watching a race one Sunday morning when my step-father in-law, who was visiting for the weekend, sat down next to me on the couch. He hadn't watched a car race of any sort in ages and was just curious about what was happening on the screen. He's an accountant and number junkie, and was quickly taken in by the analytical aspects of the race. How many laps could a car run without refueling? How did average speed correlate to tire wear? He's also an avid golfer. What really snagged his interest, at least for that single race, was the pursuit of perfection. He was amazed at the consistency of the lap times, even factoring in traffic. I don't play golf, but he explained that the addictive quality of the game was that same pursuit of perfection. How every variable  interacted with one another, from the initial action of gripping the club up to the point the ball lay absolutely motionless on the ground, and how you're playing every moment of the game in anticipation of the next swing being better than the last. Just like every corner of every lap of every race. It's the consistency and the ability of the driver to manage those aspects of the race he can control, and the ability to either anticipate or react to those he can't. So there's that.

This one's a little bit looser, but bear with me. When we first started dating, my wife claimed she hated science fiction. It was the one genre of entertainment she simply couldn't abide. I wasn't necessarily mocked, but I certainly wasn't enthusiastically encouraged in my fandom of all things Trek, Battlestar and Wars. So it was surprising to find Buffy the Vampire Slayer in her DVD collection. Oh, and if you like Buffy (I do now, thanks to my wife.. .we'll get there in a sec), then you'll loooove Firefly. Well, on principle alone I couldn't tolerate a show called Buffy the Vampire Slayer. Seriously? Nope. However, turning her Finger of Self-Righteous Mocking back around, aren't those shows both technically sci-fi? Doesn't that make you a sci-fi fan, I asked my wife. Oh crap… her resignation. And with that, Battlestar Galactica, Dr. Who and any number of other seminal sci-fi shows ended up in our Netflix queue. All it took was for her to realize and then admit she was a fan to open the door to a weirder, geekier world. She wasn't alone either. We're halfway through the entire seven year run of Buffy, and it's probably one of the best television shows ever produced. Go ahead, argue with me. The moral is, if all it took for her to become a fan of something she thought she hated was to realize something she already like qualified as that very thing (and be big enough to openly admit it), and for me to just give something a chance watch a couple of hours of a show I couldn't tolerate simply on the basis of its name, then there's hope for Formula 1 in America. 

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DNQ - your weekly motorsports and car culture ruminations

I'm going to be writing, hopefully on a weekly basis, on whatever happens to be piquing my interest at that exact moment. I don't really... research my subjects. I just sort of... do it. That's the ticket. Formula 1, racing in general, cars in whatever context, culture, what have you. For our first getting to know you get-together, I thought I'd just jump into the deep end and reveal the dark trauma that molded me into the person I am today.

When I was 13 years old my dad would let me drive the family Taurus around our neighborhood. It was sparsely populated, thankfully, and he was always in the passenger seat offering sage advice and keeping me calm. This was your basic stop, go, turn training. We'd later get into what to do if you hydroplane, to always brake before the turn and how to take a constant radius corner. These were just the basics. To make a long story short, pulling into the driveway one Sunday afternoon I over-accelerated trying to get over the concrete lip at the threshold of the garage and smashed through the living room wall. It was weeks before I could even come near the driver's seat, and shame of shames, I was almost 17 before I got my driving license. I did not like cars very much, and I certainly didn't take much joy in driving them.

Leap forward about 20 years, and suddenly you find someone not just obsessed with cars and  car culture, but racing and racing history. Yes, I was late to the party. I don't think I can admit to becoming a full-blown fan of F1 until 2003, when I was in grad school in Leeds, England and Sunday mornings were spent in our subarctic kitchen with a pot of coffee and a wool blanket, watching the race on the ITV network on a 15" unlicensed television. The fact I was there, in a country where racing mattered, was my motivation. That and to have a thing in common with something that resembled an avid group of race fanatics at the university.  Instant friends (quick aside - I'd find myself defending NASCAR with disturbingly frequency). Pair that newfound fandom with Top Gear, at that point in only its third series after its 2002 rebirth, and I was well and truly becoming a fan not just of racing, but of the cult of cars.

For real perspective though, you have to move backward a bit further, to the year 2000. I'd just bought a red 1995 Acura Integra GS-R. For several weeks it had sat in front of an accountant's office on my drive home from work. Should I mention my car at the time was a Pontiac Sunfire GT? No one should ever mention the Pontiac Sunfire... I drove the car, loved the car, wanted the car, but decided to think about it. And think about it. Almost too long, as when I actually did call the seller to commit to purchase, he was on his way to a dealer to liquidate it. To this day, my favorite car. I fell into the online communities for Honda owners, which at the time was the official manufacturer of the fast and furious lifestyle. Medieval times. I slowly and tastefully upgraded certain components. The suspension was upgraded to Type R spec bits, wheels were changed for lighter alloys, tires upgraded to Dunlop SP8000s, intake/header/exhaut also upgraded to Japanese Type R parts. The car also came with a Dinan chip upgrade. Dinan is a BMW aftermarket specialist, and the Integra chip was an odd duck one-off. It raised the red line and remapped the fuel delivery for more power. It was magic. 

The car was just meant for autocrossing. I went to a driving school, taught by my old Cub Scout leader who happened to be a master mechanic and drove an Austin-Healey Bugeye Sprite Mark II with a Mazda b13 two rotor, twin turbo motor. He was nationally ranked in the Solo II series. I got Henry Watts' seminal work "Secrets of Solo Racing" and studied it like a textbook. I raced around cones in empty parking lots on Saturday mornings. I got faster and more comfortable making inputs. I began to understand the physics that occurred between the tires and the road. I finally loved racing, but more importantly, I loved driving. Unfortunately, in Central Arkansas, without cable, and in pre-household Internet days, my F1 consumption was limited to magazines and a few rudimentary Web sites. What we did have in abundance were back roads, and at the time $1 gallon gasoline. So I drove.

As a pitiful aside to the Integra story, it died in early 2002. I was driving to Arlington, Texas to interview a crew who had allegedly transformed the Pontiac Aztec into something that didn't incite villagers to scream Kill it with fire! Some oil on the 635 in light rain, cars spinning, me going head to head at 65 MPH with an F350 duallie. I had a couple of cracked ribs, the car was dead. It saved my life. I still have the shift knob on my bookshelf. 

For a little more context, I went to school at Baylor University. I was a journalism student and deeply involved with the student newspaper. Several of us were car enthusiasts. My knowledge came mainly from the issues of Car & Driver and Motor Trend my dad collected during my formative years. I certainly wasn't a fanatic or even particularly knowledgeable. The internal workings of an engine were as mysterious as girls, but just like girls, I knew they were interesting. At least one of my classmates has since gone on to become a very well-known automotive writer, and several others have taken up residency in the world of automotive journalism. I realized too late that was a valid career option - I still had it in my head record labels were signing great unheard rock bands and it was my destiny to play bass guitar for a living. In a band that wore capes. And wrote rock operas. Needless to say, I chose poorly. I did however have an in as a freelancer, and worked up a respectable portfolio of pieces, mainly for industry trade publications, eventually blogging and even writing features for a few prominent automotive sites. Hence the Aztec cover story. My proudest literary achievement however is my Starred Commenter status on Jalopnik. The pinnacle.

Leaping backward one more time, my dad liked cars. He wasn't a car nut, but he held a slightly higher than average interest in automobiles and racing. The coffee table was perpetually covered with car magazines and he'd frequently wax nostalgic about his '71 Monte Carlo SS and the time he drove from Fayetteville, Arkansas to Dallas in under three hours. The Indy 500 was an annual ritual at my house. He was a particular fan of the Andretti family and Bobby Rahal. I can vividly recall hauling out my arsenal of Legos and building an entire field of open-wheeled cars to race and crash around the living room. On rare occasions, the whiskered antenna on the roof of our house would pick up a Formula 1 race. My dad didn't miss those. He'd tell me This is the best racing. I wasn't convinced. But there's no crashing (well, not enough to my mind, at least)! That's why it's the best. He explained these drivers in their seemingly slower-than-Nascar machines, with odd names like Piquet, Prost and Lauda, were the best in the world, bar none. I recall thinking it was boring. They slowed down to take corners. They didn't deliberately smash one another into walls. There were no fireworks or explosions or Survivor playing Eye of the Tiger in the midfield. 

 I think I get it now. Formula 1. At least I hope I do. I understand the beauty of the sport. The trauma. The perfection. It was a maturity and experience issue for me. A lot of factors had to come into play to awaken that appreciation. Not to say F1 can't be appreciated on a purely visceral level. It's fast and noisy and dramatic and sometimes gaudy and always glamorous. It just seems for a lot of people, for the true fans, it's the summation of their interest in all of those things and then some. I'll get more into all that jazz in a later blog. 

For now, I just wanted to introduce myself... validate my credentials so to speak. I'm also an Austinite. I work here. I own a house here. My wife teaches here. We're going to raise our children here. I play in a band here. It's where I'm going to live. If I honestly thought the F1 project was going to be detrimental to any of those admittedly selfish quality of life standards I mentioned, then I don't think I'd support it. I'd still be a fan and I'd still support a race in the States. 

But that's not the case. When the facility opens it's going to be a true asset to the city, the region, the state and the nation. Think Road Atlanta or VIR, Buttonwillow or even Laguna Seca... but better. World class racing, and not just F1. LeMans and GT races, sports car series, amateur series. It'll generate revenue for the city and county. It'll bring prestige on the international stage. It could help with workforce recruitment or even entice international companies to open up shop here. Supposition, but as long as we avoid the tarpit public/private funding fiasco that has recently consumed the Nurburgring in Germany, I can't see how it would fail to be a positive for the entire community. You don't have to like Brooklyn hipster indie rock to appreciate, as a resident of Austin, the benefits of South by Southwest or Austin City Limits Festival. Austin is a weird, diverse place. Old school Texas, Cosmic Cowboys and modern, high-tech international business hub. We're lucky to live here and I genuinely believe we're lucky to have this F1 project taking root. Give it time, and give the (potential) fans time. It will be awesome.

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